Youssef Turns the Joke on His Former Fans

Al-Akhbar is currently going through a transitional phase whereby the English website is available for Archival purposes only. All new content will be published in Arabic on the main website (www.al-akhbar.com).

Al-Akhbar Management

Cairo – Bassem Youssef was facing a challenge in the build-up to the first episode of “al-Bernameg” following a four-month hiatus. Opposed to common belief, it wasn’t an issue of lack of material after Mohamed Mursi and Islamist TV channels disappeared from the scene. It was Youssef’s own audience, those who had avidly cheered and defended his painful mockery of Mursi and co. Now that they are supporting the state and status quo, and, like their Islamist counterparts, nodding to TV channels whose content is rich in material for Youssef’s show, the joke essentially would be on them.

On Friday night, in his first episode after the military ousted Mursi, many laughed with him half-heartedly, agreeing with the don’t-replace-one-dictatorship-with-another message Youssef hammered in again and again. Others didn’t like holding a mirror to their face with their faults and hypocrisies, and have responded with agony and anger.

It would have been naive of anyone to expect that many of those who had previously defended Youssef under the guise of freedom of expression would maintain the same principles once he turned his satire on their beloved leaders. It was a test many were bound to fail.

The taboo Youssef was expected to break, or at least challenge, in his new season was of mammoth dimensions. The age-old glorification of the military protected through decades of tight press censorship was compounded in recent months with the rise of chauvinistic nationalism. Any remote criticism of the military and its head, Gen. Abdel-Fattah al-Sisi, much less satire, is tantamount to treason, an accusation as abundant now as contempt of religion was under Mursi – an analogy that informed Youssef’s show.

The surgeon-turned-satirist eased into the anticipated challenge of taking on the state, and instead directed his punch lines to its supporters and the celebrities who fueled the pro-military sentiment. The script was rife with sexual innuendos fitting with the for-adults-only warning at the start of the show. Just like the Islamists, who remain angry at Youssef, his new critics are slamming his supposedly newfound obscenity and disregard for social values.

The script, however, was mainly inspired by the lingo used proudly by Sisi’s swoony fans. The show’s writers didn’t bring the sex into the equation; they simply toyed with what their subjects brought along.

Early in July, columnist Ghada El-Sherif wrote a tribute to Sisi that lost its way between the political and erotica genres. The public rhetoric that followed maintained the course, with both men and women praising the masculine qualities of Sisi, meshing macho appeal with national pride. Scenes of celebrities crying to his speeches, ludicrously wearing camouflage and singing patriotic songs, and blushing as they describe their love for him were some of the examples that peppered the show.

Youssef built his case well so that a sketch, in which a male actor playing Egypt talked about how Sisi “would satisfy [her] needs as a woman” and removed a bed cover to reveal camouflage pants, seemed like a logical conclusion for the sexual innuendos made with a straight face by the general’s aficionados.

The hosting channel immediately Linked word from the show in a statement the following night as the controversy and the criticism gained more traction. The CBC network said it’s “careful not to use any words, innuendos or scenes that mock the feelings of the Egyptian people of symbols of the Egyptian state.”

Money talks louder. Judging by the number of ads flooding the breaks between the show’s three segments, Youssef has retained his money-making gift. Advertisers’ interest could be tied to the anticipation that preceded this particular episode and might ebb as criticism intensifies. But, it could remain tied to the entertainment value, which was high last Friday.

The sensitivity of the issues the show handled evidently pushed the writers to pay more attention to the script, and the result was rewarding. Compared to the last season, the script is tighter, the punch lines are sharper and more frequent, and the jokes keep the right distance between subtlety and straightforwardness.

Youssef’s crew should take credit for making people laugh, including those who don’t always approve of the message. People like to laugh and many don’t mind laughing at themselves. The show might gradually change hearts in a more sane direction. If it merely eased the tension in politicized social gatherings by bringing comedy to the table, it would be a step forward.

Entertainers should lighten up the mood as well as provoke thoughts. Youssef and his crew did both. What they really should take credit for is breaking a window in mainstream media for the third voice, proving that those refusing to be classified as pro-Brotherhood or pro-military are of considerable size and logic.

Comments

Weak analysis. You cannot possibly classify Bassem as a wedge between the Brotherhood and the Army when he clearly represents the interests of the latter. You grossly overlook the fact that Bassem never took a shot at Sisi himself during the last show; he was merely ridiculing his cultish fans. Bassem Youssef will not dare attack the military establishment the same way he attacked Morsi's rule(even going so far as to call him a modern-day Hitler), because he will get pulled off air the minute that happens. And this is despite the fact that even more freedoms have been denied under Sisi than under Morsi.

You want to glorify Basssem based on the smear campaign against him, instead of the substance (or lack thereof) in his material. He's a comedian yes, but one who fronts as a "brave" activist thats not afraid to speak his mind to "tyrants". But if that's the case, why did he not make a single criticism of the military's massacres since July 3? Why no mention of the journalists being persecuted in Egypt, or even the loads of Sisi tape leaks (he only referenced several seconds worth at the end)? Why did he mock the deaths of Rabaa protesters with a lame dance skit? Do you think he would've ever done something so vulgar to disgrace the protesters killed under Morsi?

No. And therein lies his double standard, as well as yours. You may fool yourself by praising him but you don't fool the rest of us. Bassem Youssef is a military dog with just enough room on his leash to act a little rowdy, but he will never bite the master's hand. And Sisi knows this.

too far. there is a difference between criticism and malice.

Post new comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Allowed HTML tags: <a> <em> <strong> <cite> <code> <ul> <ol> <li> <dl> <dt> <dd><img><h1><h2><h3><h4><h5><h6><blockquote><span><aside>
  • Lines and paragraphs break automatically.

More information about formatting options

^ Back to Top